Bravo Ocean Upgrades its Multi-Room Hybrid Facility
with Solid State Logic ORIGIN 32-Channel Analogue Console

Atlanta, Georgia, August 02, 2022 — Bravo Ocean Studios, a multi-room hybrid facility in Atlanta’s Grant Park neighborhood that offers services for both music production and audio for film, has launched its new Ocean Suite, a flagship room featuring a Solid State Logic ORIGIN 32-channel analogue in-line mixing console. Since opening, the room has hosted projects with Amazon Music, Adidas, Netflix, Legendary, Rolling Stone, RapTV, HBO and Jordin Sparks as well as ADR sessions for the FX comedy-drama series Atlanta.

Nick Chahwala, a producer, musician and songwriter whose years in the recording industry include working with the likes of T.I., Mariah Carey, Gym Class Heroes and Katy Perry, with whom he was Grammy-nominated for Album of the Year in 2011, established Bravo Ocean in 2014. Chahwala was not initially aware of the ORIGIN when selecting a mixing console for the Ocean Suite, he says. “But as soon as I saw it, I said, ‘That’s the one!’ I’m a marketing guy as well, so design is a big thing for me, and it’s such a sleek and beautiful design. ORIGIN is very modern but still has a very analog, old-school soul — and that met with what we wanted to do at the studio.”

E Series ‘242’ EQ and customizable center section

Chahwala immediately recognized the heritage behind the audio design of the ORIGIN, in particular the EQ, which harkens back to the SSL E series. “I’ve worked on a lot of SSLs,” he says, from the Atlanta area facility where he initially interned to the many studios he visited around the world as his production career blossomed. “SSL has always been my favorite and I felt like ORIGIN was made for me and my younger self. The functionality is great, and these are my favorite EQs. I’m always busing out or inserting the EQs when I’m in Pro Tools.”

The center section of the Ocean Suite’s ORIGIN houses a 500 series rack. “There’s so much customization I can do,” he says. “Some days I’ll be mastering, so I’ll put my mastering modules right into the rack and they look like they’re part of the SSL. Other days, if we’re doing live sessions, I’ll move those out of the way and fill it with the SSL 611DYN E Series dynamics modules, so it matches the EQs. But the next guy might want something else, so he can bring his rack, we can disconnect ours, and put his in. “